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Silhouette of the blade to scale, aligned at the machi

The piece

Signed katana by Mutsu no Kami Tadayoshi, third generation of the Hizen school, in suguha-notare; ubu tang and Jūyō Tōken designation (30th session, 1983).

Katana by Mutsu no Kami Tadayoshi, third generation of the Hizen school and son of Ōmi Daijō Tadahiro. According to the original seller, he received the title Mutsu Daijō in Manji 3 (1660) and Mutsu no Kami in Kanbun 1 (1661), and died in Jōkyō 3 (1686), before his father. The blade is shinogi-zukuri with iori-mune and chū-kissaki, 71.4 cm in nagasa with 2.2 cm of sori, wide and with a thick kasane. The original seller describes a very tight ko-itame with abundant ji-nie and fine chikei, the konuka-hada of Hizen, and a suguha-notare hamon with deep, bright nioi that widens towards the monouchi, with ko-ashi, yō and some kinsuji; the bōshi is straight with a ko-maru turnback. The photographs show the ubu tang, with kurijiri tip and two mekugi-ana, signed in tachi-mei 肥前国住陸奥守忠吉 (Hizen no Kuni-jū Mutsu no Kami Tadayoshi). It is undated: from the style of the signature, the original seller places it towards the end of Enpō (c. 1680). Designated Jūyō Tōken by the NBTHK at the 30th session (1983); the zufu text stresses its imposing construction and bright suguha. It comes with a double copper habaki with gold foil and, according to the original seller, in shirasaya; there is no koshirae.

Strong points

  • NBTHK Jūyō Tōken designation, 30th session (1983), with certificate and zufu page photographed
  • Full tachi-mei signature 肥前国住陸奥守忠吉 (Hizen no Kuni-jū Mutsu no Kami Tadayoshi)
  • Ubu tang with kurijiri tip, never shortened
  • Hizen suguha-notare on konuka-hada, according to the original seller and the zufu text
  • Blade and temper declared healthy by the original seller

Points to bear in mind

  • No koshirae: the blade comes only with its habaki and, according to the original seller, in shirasaya, which does not appear in the photographs
  • No engraved date; the attribution to the end of Enpō is the original seller's estimate from the style of the signature
  • One of the two mekugi-ana is a shinobi-ana according to the original seller; there is no photograph of the ura side of the tang

Score

201.6 pointscurrent max. 255

  1. Certificate +140

    NBTHK Jūyō paper +140

  2. Tang +25

    Tang intact according to the seller at origin, with 2 mekugi-ana +25

  3. Declared condition +30

    Healthy according to the original seller +30

  4. Signature and date +15

    Signed, with no engraved date +15

  5. Mounting −15

    No mounting −15

  6. Blade +10

    71.4 cm: within the usable range +10

  7. Shirasaya +5

    With a storage shirasaya +5

  8. Price −8.4

    Price: the more affordable, the more points −8.4

The score adds and subtracts points for each feature of the piece and has no ceiling: the highest in the catalogue today is 255. It is computed from the record, not from an opinion. The mounting starts from what is known of its period, adds what vouches for it (its own NBTHK paper, a signed fitting, a crest) and subtracts what has been restored (saya, ito, same, habaki or sageo).

Measurements

Nagasa
71.4 cm
Sori
2.2 cm
Tang
Intact (ubu)
Certificate
NBTHK Jūyō
Mounting
No mounting
Storage shirasaya
Yes
Period
Shintō (1596-1780)
Dating
Enpō era (1673–1681)
Province
Hizen
Mekugi-ana
2
Condition
Sound condition according to the seller at origin
Signed
Yes
With an engraved date
No
Motokasane
0,80 cm
Sakikasane
0,60 cm

€57,190Shipping and taxes included

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