An uchigatana koshirae built around a set of silver fittings by a single artist, Miyata Nobukiyo, a late-Edo metalworker trained, according to the original seller, under masters of the Gotō school. The photographs show the signature 宮田信清 (Miyata Nobukiyo) followed by his 花押 (kaō) beside the central opening of the tsuba and on the plate of the fuchi. The theme is returning geese (kigan) over a reed bed: the silver mokkō-shaped tsuba, with an ishime ground, shows geese in flight and reeds in relief with gold accents on both faces, while the kashira, fuchi, kurikata, origane and kojiri repeat the geese in kebori over a ground of oblique lines suggesting evening light. The menuki, also in silver, depict geese and reeds beneath a blue-green tsuka-ito over white samé. The saya is lacquered in black ishime with a raised cloud pattern and, according to the original seller, is of the ireko type, with a removable inner sleeve. The photographs show the ensemble in good condition, with no visible knocks or rust. The original seller declares an NBTHK Tokubetsu Hozon paper, which does not appear in the photographs.