NH-0492 Rank 98
Kozuka · Hamano Naotoshi
浜野直寿 (Hamano Naotoshi)
Shakudō kozuka with a nanako ground and two gold persimmons on an oborogin branch, signed Hamano Naotoshi with kaō. NBTHK Tokubetsu Hozon paper of 1998.
Photographs
Photographs by the seller at origin.
Description
Kozuka signed on the reverse 濱野直壽 (Hamano Naotoshi) with kaō, the work of a Hamano school master who, according to the original seller, trained under Hamano Naoyuki, a pupil of Hamano Noriyuki. The subject is an 枝柿図 (edagaki-zu), a persimmon branch bearing two fruits: the branch starts towards one end and runs on as a fine line towards the other, among leaves with engraved veins. The photographs show a shakudō ground with very even nanako, the fruits in gold with a finely stippled skin, and the leaves and branch in oborogin, a variety of shibuichi, applied as high-relief suemon; the paper describes it as 赤銅魚子地 (shakudō nanako-ji), 朧銀据文 (oborogin suemon) and 金色絵 (kin iroe). The original seller points out that both persimmons are shown with the calyx facing upwards, the opposite of how they hang in nature, and reads this as a deliberate conceit of the maker. Condition is good: crisp nanako, intact gold and a dark, even patina; the plain reverse shows a few fine scratches and the ends small marks of use. It measures 9.7 × 1.5 cm according to the seller. It comes with an NBTHK 特別保存刀装具 (Tokubetsu Hozon Tōsōgu) paper dated 10 April 1998, which accepts the signature, and is presented in a paulownia box lined with fabric.
Strong points
- Signature 濱野直壽 (Hamano Naotoshi) with kaō, accepted by the paper
- NBTHK Tokubetsu Hozon Tōsōgu paper of 1998
- Fine, very even shakudō nanako
- Gold persimmons and oborogin leaves in high relief with engraved veins
Points to bear in mind
- The reverse shows a few fine scratches and the ends small marks of use
- The maker's training and the reading of the motif come from the original seller
- The box carries no expert inscription (hakogaki)
Score breakdown
61.1/100
The score shares out 100 points: Maker 25 · Workmanship 20 · Condition 18 · Period 12 · Paper 10 · Extras 5 · Price 10. It is computed from the record, not from an opinion. Maker, workmanship, condition and period are judged from the photographs and the paper; price is compared only with fittings of the same type.
- Maker 19 of 25 Genuine signature of a known maker or school
- Workmanship 10 of 20 Good work
- Condition 14 of 18 Good condition
- Period 5 of 12 Late Edo (1781–1868)
- Paper 4 of 10 NBTHK Tokubetsu Hozon Tōsōgu
- Extras 0 of 5 No complete set by the same maker and no inscribed box
- Price 9.1 of 10 Rank 6 of 59 by price among pieces of its type, from the most affordable to the dearest