NH-0625 Rank 243

Menuki · Ko-Mino

An unsigned pair of Ko-Mino school menuki depicting autumn grasses in high-relief, deeply pierced yamagane, with NBTHK Tokubetsu Hozon papers.

MenukiMomoyama (1573–1615)Momoyama period (late 16th century)NBTHK Tokubetsu Hozon Tōsōgu

Description

An unsigned (mumei) pair of menuki attributed by the NBTHK paper to the Ko-Mino school, one of the oldest fittings workshops of Mino province. The subject is akikusa, the grasses and flowers of autumn: two kikyō bellflowers sit at the centre of each piece, surrounded by five-petalled blossoms, leaves and tendrils interlaced with the deep openwork typical of the school. According to the paper they are carved in katachibori on yamagane, with dewdrops inlaid in silver; in the photographs these drops appear as small raised dots, now darkened by the patina. The carving is vigorous, in high relief and well composed. The photographs show a dark, consistent patina, with high points polished by handling and stable greenish traces in the recesses; no breaks or cracks are visible. The backs are hollow, with remains of the original filling and, on one piece, a copper block serving as the ashi. The original seller gives a width of about 4.8 cm for each piece and presents them in a paulownia box. NBTHK Tokubetsu Hozon Tōsōgu paper dated January 2014.

Strong points

  • NBTHK Tokubetsu Hozon Tōsōgu paper (2014)
  • Ko-Mino school, among the oldest in Mino
  • Akikusa with kikyō bellflowers in deep openwork
  • Yamagane in katachibori with silver dew, per the paper
  • Complete pair, no visible breaks

Points to bear in mind

  • Unsigned: a school attribution, not a maker
  • The period comes from the original seller and the style; the paper does not state it
  • One back carries a copper block as the ashi, possibly a replacement
  • Stable greenish traces in the recesses and on the backs

Score breakdown

53.7/100

The score shares out 100 points: Maker 25 · Workmanship 20 · Condition 18 · Period 12 · Paper 10 · Extras 5 · Price 10. It is computed from the record, not from an opinion. Maker, workmanship, condition and period are judged from the photographs and the paper; price is compared only with fittings of the same type.

  1. Maker 9 of 25 Attributed to a school only
  2. Workmanship 10 of 20 Good work
  3. Condition 14 of 18 Good condition
  4. Period 11 of 12 Momoyama (1573–1615)
  5. Paper 4 of 10 NBTHK Tokubetsu Hozon Tōsōgu
  6. Extras 0 of 5 No complete set by the same maker and no inscribed box
  7. Price 5.7 of 10 Rank 10 of 22 by price among pieces of its type, from the most affordable to the dearest