NH-0817 Rank 192

Tsuba · Namitoshi

並寿 (Namitoshi)

Pierced iron tsuba with the tai no tai motif, signed 江府住 並壽 (Kōfu-jū Namitoshi), with an NBTHK Tokubetsu Hozon Tōsōgu paper.

TsubaLate Edo (1781–1868)Late Edo period (18th–19th century)NBTHK Tokubetsu Hozon Tōsōgu

Description

Tatemarugata iron tsuba, signed on the seppa-dai of the front face: 江府住 (Kōfu-jū, "resident of Edo") on the right and 並壽 (Namitoshi) on the left. The subject is the tai no tai, the pectoral-fin bone of the sea bream whose outline resembles a tiny fish and which was kept as a good-luck charm in the Edo period. Two such bones, a large one at the top with a pierced eye and a small one below, are joined to the round rim by slender curving spines, worked in nikubori jisukashi (relief carving with the ground pierced away). The rim is kaku-mimi ko-niku, squared and only slightly rounded. The original seller gives 68.5 × 63.6 mm, 5.0 mm thickness at the seppa-dai and 57 g, and mentions a paulownia box. The photographs show a dark brown, stable iron patina, with a few spots of superficial reddish rust on the edge and in the recesses, and a fine line across the large bone that looks like a forging seam. The NBTHK Tokubetsu Hozon Tōsōgu paper, no. 2009433, dated 4 April 2023, accepts the signature.

Strong points

  • NBTHK Tokubetsu Hozon Tōsōgu paper (2023) accepting the signature
  • Signed 江府住 並壽 (Kōfu-jū Namitoshi)
  • Uncommon subject: the tai no tai, an Edo-period good-luck charm
  • Iron in nikubori jisukashi with a free, organic design

Points to bear in mind

  • A few spots of superficial reddish rust on the edge and in the recesses
  • A fine line across the large bone, probably a forging seam, which the photographs cannot entirely rule out as a crack
  • The paper does not state the period; it is inferred from the signature and the style

Score breakdown

56.8/100

The score shares out 100 points: Maker 25 · Workmanship 20 · Condition 18 · Period 12 · Paper 10 · Extras 5 · Price 10. It is computed from the record, not from an opinion. Maker, workmanship, condition and period are judged from the photographs and the paper; price is compared only with fittings of the same type.

  1. Maker 19 of 25 Genuine signature of a known maker or school
  2. Workmanship 10 of 20 Good work
  3. Condition 14 of 18 Good condition
  4. Period 5 of 12 Late Edo (1781–1868)
  5. Paper 4 of 10 NBTHK Tokubetsu Hozon Tōsōgu
  6. Extras 0 of 5 No complete set by the same maker and no inscribed box
  7. Price 4.8 of 10 Rank 119 of 228 by price among pieces of its type, from the most affordable to the dearest