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The piece

Unsigned pierced iron tsuba attributed to the Kyō-sukashi school: a chrysanthemum with radiating petals, leaves and two karigane (wild geese), from the mid-Edo period according to the original seller.

Mumei tsuba of tate-marugata shape (round, slightly taller than wide: 7.39 × 7.06 cm according to the original seller), attributed to the Kyō-sukashi school, the openwork makers of Kyoto. It depicts a chrysanthemum seen head-on, its fine radiating petals filling the whole field; over it lie chrysanthemum leaves in ji-sukashi, with a cut stem, and two karigane (stylised wild geese) pierced above and below, an autumn motif. The leaves retain a faint kebori of veins, visible in the close-up photographs. The iron has a smooth, dark surface, with two hitsu-ana, one of them cut in a cloud shape, and a kaku-mimi ko-niku rim; the original seller gives a thickness of about 5 mm and a weight of 79.33 g. The photographs show a dark, stable patina, with no active rust or broken spokes and edges softened by handling; the central opening carries copper sekigane. The original seller declares an NBTHK Tokubetsu Hozon paper and a paulownia box; the paper does not appear in the photographs.

Strong points

  • Fine openwork of a radiating chrysanthemum with leaves and two karigane
  • Iron with a dark, stable patina, well preserved
  • Kebori veining on the leaves
  • NBTHK Tokubetsu Hozon paper declared by the original seller

Points to bear in mind

  • Unsigned: a school attribution, not a maker
  • The paper does not appear in the photographs
  • Copper sekigane in the central opening
  • The dating comes from the original seller and from style, not from a photographed document

Score

53.6 / 100

  1. Maker 9 of 25 Attributed to a school only
  2. Workmanship 10 of 20 Good work
  3. Condition 14 of 18 Good condition
  4. Period 7 of 12 Mid-Edo (1688–1781)
  5. Paper 4 of 10 NBTHK Tokubetsu Hozon Tōsōgu
  6. Extras 0 of 5 No complete set by the same maker and no inscribed box
  7. Price 9.6 of 10 Rank 13 of 330 by price among pieces of its type, from the most affordable to the dearest

The score shares out 100 points: Maker 25 · Workmanship 20 · Condition 18 · Period 12 · Paper 10 · Extras 5 · Price 10. It is computed from the record, not from an opinion. Maker, workmanship, condition and period are judged from the photographs and the paper; price is compared only with fittings of the same type.

Details

Type
Tsuba
School
Kyō-sukashi
Period
Mid-Edo (1688–1781)
Material
Iron
Paper
NBTHK Tokubetsu Hozon Tōsōgu
Signature
Unsigned (mumei)
Technique
Sukashi (openwork), Kebori (line engraving)
Dating
Mid-Edo period (18th century)

€1,560Shipping and taxes included

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