NH-1007 Rank 196

Kozuka · den Gotō Tokujō

徳乗 (den Gotō Tokujō)

Shakudō nanako kozuka depicting Daruma crossing the water on a reed leaf, unsigned and attributed by the NBTHK to Gotō Tokujō, with Tokubetsu Hozon papers.

KozukaMomoyama (1573–1615)Momoyama – early Edo period (late 16th – early 17th century)NBTHK Tokubetsu Hozon Tōsōgu

Description

Unsigned kozuka attributed by the NBTHK paper to Gotō Tokujō, fifth master of the main Gotō line. It shows Daruma crossing the river on a reed leaf (royō Daruma), carved in takabori on a shakudō nanako ground; the patriarch's robe bears circular motifs in gold (iroe), and the reed leaf extends among waves and eddies across the field. The back is a gold-toned plate with diagonal file marks. The photographs show heavily worn nanako in the central area, which appears almost smooth, softened high points and wear to the gold-toned plate at one end, with no cracks or active rust. The paper, number 2010324 and dated 19 December 2023, certifies it as Tokubetsu Hozon Tōsōgu and describes it as royō Daruma-zu kozuka, mumei, den Tokujō, in shakudō nanako-ji with takabori and iroe. According to the original seller, it measures 9.63 × 1.42 cm and comes in a paulownia box.

Strong points

  • NBTHK Tokubetsu Hozon Tōsōgu paper
  • Attributed to Gotō Tokujō, master of the main Gotō line
  • Buddhist subject of Daruma on the reed leaf
  • Shakudō nanako with takabori and gold iroe

Points to bear in mind

  • Attribution by the paper (den), not a signature
  • Nanako heavily worn in the central area, softened high points
  • Wear to the gold-toned back plate at one end
  • The period is inferred from the attribution; the paper does not state it

Score breakdown

56.6/100

The score shares out 100 points: Maker 25 · Workmanship 20 · Condition 18 · Period 12 · Paper 10 · Extras 5 · Price 10. It is computed from the record, not from an opinion. Maker, workmanship, condition and period are judged from the photographs and the paper; price is compared only with fittings of the same type.

  1. Maker 15 of 25 Unsigned, attributed by the paper to a master
  2. Workmanship 10 of 20 Good work
  3. Condition 9 of 18 Visible wear
  4. Period 11 of 12 Momoyama (1573–1615)
  5. Paper 4 of 10 NBTHK Tokubetsu Hozon Tōsōgu
  6. Extras 0 of 5 No complete set by the same maker and no inscribed box
  7. Price 7.6 of 10 Rank 15 of 59 by price among pieces of its type, from the most affordable to the dearest