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The piece

Unsigned pair of menuki attributed to the Kyō-kinkō school, showing the brothers Hakui and Shukusei in gold and shakudō. Early Edo period.

Unsigned (mumei) pair of menuki that the original seller attributes to the Kyō-kinkō school, the name given to works by Kyoto metalsmiths that cannot be assigned to a specific workshop. They depict Hakui and Shukusei (Boyi and Shuqi), the brothers of ancient China who, according to the Shiji, renounced the throne and withdrew to Mount Shouyang rather than serve the Zhou dynasty: a classic emblem of integrity. The figures are worked in katachibori, fully modelled and of generous volume. One stands with his hands tucked into his sleeves; the other rests his cheek on his hand in thought. Both carry a basket hanging from the belt and wear a cloak of leaves. The photographs show the bodies in gold, with the hair and cloak in dark shakudō and fine line chiselling on the hair, leaves and baskets. The original seller describes the metal as solid gold, weighing 17.0 g for the pair (35.8 × 13.8 mm and 35.6 × 14.2 mm). The reverse has in'yō-ne (male and female) fixing posts with reinforcing plates set in a cross, an old-style construction. Condition is good: light wear on the high points and small losses of the dark metal along the edge of the hair. The seller declares an NBTHK Tokubetsu Hozon paper, which does not appear in the photographs. The pair comes with a paulownia box with a fitted bed.

Strong points

  • Fully modelled figures (katachibori) with distinct faces and gestures
  • Gold with shakudō applied to the hair and leaf cloak
  • In'yō-ne posts and reinforcing plates on the reverse, an old-style construction
  • Classic theme of moral integrity: the brothers Hakui and Shukusei
  • NBTHK Tokubetsu Hozon paper declared by the original seller

Points to bear in mind

  • Unsigned: the Kyō-kinkō attribution comes from the original seller, and the paper does not appear in the photographs.
  • The solid-gold claim is the original seller's; the photographs cannot confirm it.
  • Light wear on the high points and small losses of the dark metal along the edge of the hair.
  • Illegible ink inscriptions on the reverse, which are not a signature.

Score

51.6 / 100

  1. Maker 9 of 25 Attributed to a school only
  2. Workmanship 15 of 20 Notable work
  3. Condition 14 of 18 Good condition
  4. Period 9 of 12 Early Edo (1615–1688)
  5. Paper 4 of 10 NBTHK Tokubetsu Hozon Tōsōgu
  6. Extras 0 of 5 No complete set by the same maker and no inscribed box
  7. Price 0.6 of 10 Rank 32 of 34 by price among pieces of its type, from the most affordable to the dearest

The score shares out 100 points: Maker 25 · Workmanship 20 · Condition 18 · Period 12 · Paper 10 · Extras 5 · Price 10. It is computed from the record, not from an opinion. Maker, workmanship, condition and period are judged from the photographs and the paper; price is compared only with fittings of the same type.

Details

Type
Menuki
School
Kyō-kinkō
Period
Early Edo (1615–1688)
Material
Gold, Shakudō
Paper
NBTHK Tokubetsu Hozon Tōsōgu
Signature
Unsigned (mumei)
Technique
Other technique, Iroe (coloured inlay), Kebori (line engraving)
Dating
Early Edo period (17th century)

€7,610Shipping and taxes included

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