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- Name
- Mutsu no Kami Yoshiyuki, also Tosa Yoshiyuki (土佐吉行, Tosa Yoshiyuki) AT
- Kanji and reading
- 陸奥守吉行 (Mutsu no Kami Yoshiyuki); Ryōma’s katana bears only 吉行 (Yoshiyuki) AT
- Period
- Shintō, first half of the Edo period AT
- Province
- Settsu (摂津, Settsu), in Osaka, and later Tosa (土佐, Tosa); born in Mutsu or in Settsu, depending on the source AT
- School
- That of the Yoshimichi of Osaka; in Tosa, smith of the domain AT
- Master
- The first Yamato no Kami Yoshimichi (大和守吉道, Yamato no Kami Yoshimichi), with his father and his brother, according to the Japanese Wikipedia AT
- Title
- Mutsu no Kami (陸奥守, Mutsu no Kami), in Tosa; no year in the sources consulted AT
- Rank
- Not in the wazamono list; his brother Yoshikuni is AT
- What is documented
- The katana signed 吉行 (Yoshiyuki) that Sakamoto Ryōma wore, donated by the Sakamoto family to the Kyoto National Museum in 1931 HD
- The tradition
- That this katana is the work of Mutsu no Kami Yoshiyuki and not of another Yoshiyuki; the museum catalogues it only by its signature AT
In short
According to the Japanese Wikipedia, Yoshiyuki was the son of the smith Harima no Kami Yoshinari and the younger brother of Kōzuke no Kami Yoshikuni; he learned in Osaka and in the Genroku era moved to the Tosa domain, where he was magistrate of the smiths. Apart from Ryōma’s katana, no work of his is recorded in a museum, nor any designation.
The Kyoto National Museum explains that Ryōma’s katana, donated by the Sakamoto family in 1931, is authentic according to recent scientific studies and the family papers. A fire in 1913 warped it and erased its temper, and in 2015–2016 the trace of a fist-shaped chōji, characteristic of Yoshiyuki, was found beneath the polish.
Sections
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From Osaka to Tosa
Life and times
His family, his training in Osaka and his move to the Tosa domain.
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Kantei keys
Work and style
The little that is known of his manner: the fist-shaped chōji and the signature.
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The katana of Sakamoto Ryōma
Famous works
The katana in the Kyoto National Museum: the fire of 1913, the lost temper and its identification in 2015–2016.
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Bibliography and credits
Sources
The sources consulted and the image credits.