NH-0064 Rank 133

Izumi no Kami Rai Kinmichi

(菊紋)和泉守来金道 / 大法師法橋九十二造之

Rai Kinmichi line of Kyoto, with the imperial kikumon before the signature and an inscription declaring the blade forged in the master's ninety-second year. 75.2 cm.

Shintō (1596-1780)Keian to Enpō eras (c. 1648–81)prov. de YamashiroNBTHK Tokubetsu Hozon

Silhouette of the blade to scale, aligned at the machi

Description

Izumi no Kami Rai Kinmichi heads one of the historic lines of Kyoto, within the Mishina school, and held the privilege of cutting the imperial kikumon before the signature. The name passed through five generations; the NBTHK attributes this blade to the second or the third, on style and signature, without choosing between them, and places it between the Keian and Enpō eras (1648-1681), in early Edo. It measures 75.2 cm of nagasa with 1.0 cm of sori, a long blade of shallow curvature. The reverse of the tang bears the inscription 大法師法橋九十二造之, stating that the blade was forged when the master was ninety-two; Daihōshi Hokkyō was an honorary religious title within the line, and the works that carry it are known as Ōkurikara Rai Kinmichi. The blade holds NBTHK Tokubetsu Hozon papers and comes with shirasaya, koshirae, a travel bag and a maintenance kit.

Strong points

  • NBTHK Tokubetsu Hozon papers
  • Imperial kikumon cut before the signature
  • Inscription declaring the blade forged in the master's ninety-second year
  • 75.2 cm of nagasa
  • Rai Kinmichi line of Kyoto, Mishina school
  • Supplied with shirasaya, koshirae, travel bag and maintenance kit

Points to bear in mind

  • Three mekugi-ana: the tang has been remounted or shortened at some point
  • The NBTHK does not decide between the second and the third generation
  • The photographs show a small cluster of marks in the ji of the kissaki: worth asking whether these are ware or traces of polishing

Score breakdown

41.7/100

The score shares out 100 points: Signature and date 18 · Tang 22 · Mounting 18 · Declared condition 20 · Blade 8 · Shirasaya 4 · Price 10. It is computed from the record, not from an opinion. The mounting starts from what is known of its period, adds what vouches for it (its own NBTHK paper, a signed fitting, a crest) and subtracts what has been restored (saya, ito, same, habaki or sageo).

  1. Signature and date 10 of 18 Signed, with no engraved date
  2. Tang 3 of 22 Shortened tang, with 3 mekugi-ana
  3. Mounting 1 of 18 Mounting described piece by piece by the seller at origin
  4. Declared condition 8 of 20 Localised flaw declared
  5. Blade 8 of 8 75.2 cm: within the usable range
  6. Shirasaya 4 of 4 With a storage shirasaya
  7. Price 7.7 of 10 Rank 33 of 139 by price, from the most affordable to the dearest