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The piece

Iron tate-maru tsuba showing the meeting of a shiokumi and a woodcutter, in takabori with gold, silver and shakudō inlay; signed 鐵元堂 (Tetsugendō) with a gold seal.

Iron tsuba of tate-maru (upright oval) shape, signed 鐵元堂 (Tetsugendō) on the seppadai, with a square seal inlaid in gold that the original seller reads as 敏行 (Toshiyuki). The original seller attributes it to Tetsugendō Shōraku, a metalworker of Yamashiro province active in the mid-Edo period and known for his scenes of ordinary people. The front depicts the meeting of a shiokumi, a seawater carrier with a yoke and two buckets, straw skirt and gold headscarf, and a woodcutter bearing a bundle of firewood on his back. Behind them rise hills with pines, a silvery disc among engraved clouds and a dark form of polished shakudō; below, waves carved into the iron are scattered with gold dots. The reverse shows a shore pine with gold-highlighted foliage, another shakudō form and a distant hill. The figures are in high takabori with inlays of gold, silver, shakudō and copper, and the straw and firewood are finished in fine kebori. The photographs show a dark, stable iron patina with no active rust and the gold intact; the polished shakudō has fine surface scratches and the central opening (ana) has copper sekigane. Dimensions per the original seller: 68.6 × 64.5 mm, 5 mm thick at the seppadai; it comes with a paulownia box. The original seller declares an NBTHK Tokubetsu Hozon paper, which does not appear in the photographs.

Strong points

  • Signature 鐵元堂 (Tetsugendō) with an inlaid gold seal, clearly legible in the photographs
  • Narrative scene of ordinary people, a theme typical of the maker
  • High takabori with gold, silver, shakudō and copper inlay
  • Reverse with a shore pine highlighted in gold
  • NBTHK Tokubetsu Hozon paper declared by the original seller

Points to bear in mind

  • The declared paper does not appear in the photographs
  • The reading of the seal as 敏行 (Toshiyuki) comes from the original seller
  • Fine surface scratches on the polished shakudō
  • Copper sekigane in the central opening

Score

61.8 / 100

  1. Maker 19 of 25 Genuine signature of a known maker or school
  2. Workmanship 15 of 20 Notable work
  3. Condition 14 of 18 Good condition
  4. Period 7 of 12 Mid-Edo (1688–1781)
  5. Paper 4 of 10 NBTHK Tokubetsu Hozon Tōsōgu
  6. Extras 0 of 5 No complete set by the same maker and no inscribed box
  7. Price 2.8 of 10 Rank 239 of 330 by price among pieces of its type, from the most affordable to the dearest

The score shares out 100 points: Maker 25 · Workmanship 20 · Condition 18 · Period 12 · Paper 10 · Extras 5 · Price 10. It is computed from the record, not from an opinion. Maker, workmanship, condition and period are judged from the photographs and the paper; price is compared only with fittings of the same type.

Details

Type
Tsuba
Maker
Tetsugendō Shōraku
Period
Mid-Edo (1688–1781)
Material
Iron, Gold, Silver, Shakudō, Copper
Paper
NBTHK Tokubetsu Hozon Tōsōgu
Signature
Signed
School
Tetsugendō
Inscription
鐵元堂 (Tetsugendō)
Technique
Takabori (high relief), Zōgan (inlay), Iroe (coloured inlay), Kebori (line engraving)
Dating
Mid-Edo period (18th century)

€4,790Shipping and taxes included

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