NH-0564 Rank 41

Futatokoro · Gotō Tokujō

後藤徳乗 (Gotō Tokujō)

Shakudō nanako kozuka and kōgai with a dōran pouch in takabori and gold iroe, inscribed with Gotō Mitsutaka's attribution to Gotō Tokujō, with NBTHK Tokubetsu Hozon paper.

Futatokoro (kozuka and kōgai)Momoyama (1573–1615)Momoyama period (late 16th – early 17th century)NBTHK Tokubetsu Hozon Tōsōgu

Description

A futatokoro, a matching kozuka and kōgai, from the main Gotō line, depicting a dōran: the rectangular pouch worn at the waist to carry medicine, seals, tobacco or coins, shown with its knotted cords. Both pieces bear on their gold backs the inscription 紋徳乗 (mon Tokujō) 光孝 (Mitsutaka) with kaō: an attribution (kiwame) by which Gotō Mitsutaka, thirteenth head of the family, recognised the design as the work of Gotō Tokujō (1550–1631), fifth head of the house. The ground is shakudō with fine, even nanako; the pouch is carved in shakudō takabori with touches of gold iroe, and the gold cords carry fine chiselling imitating the braid. Rims and backs are gold with a hairline finish. The photographs show crisp nanako, intact gold and only slight wear on the high points of the pouch on the kozuka. The NBTHK Tokubetsu Hozon Tōsōgu paper (no. 2010490, 26 March 2024) describes the set as shakudō nanako-ji, takabori and iroe, and records the inscription above.

Strong points

  • Main Gotō line: attributed to Gotō Tokujō, fifth head of the family
  • Attribution inscription by Gotō Mitsutaka with kaō on both pieces
  • NBTHK Tokubetsu Hozon Tōsōgu paper (2024)
  • Fine, even shakudō nanako; takabori with gold iroe
  • Complete kozuka and kōgai set with a single design

Points to bear in mind

  • The inscription is not Tokujō's signature but a later attribution by Gotō Mitsutaka (18th century)
  • The period is inferred from the attributed maker's dates; the paper does not state it
  • Slight wear on the high points of the pouch on the kozuka
  • The edges are not photographed separately

Score breakdown

66.3/100

The score shares out 100 points: Maker 25 · Workmanship 20 · Condition 18 · Period 12 · Paper 10 · Extras 5 · Price 10. It is computed from the record, not from an opinion. Maker, workmanship, condition and period are judged from the photographs and the paper; price is compared only with fittings of the same type.

  1. Maker 15 of 25 Unsigned, attributed by the paper to a master
  2. Workmanship 15 of 20 Notable work
  3. Condition 14 of 18 Good condition
  4. Period 11 of 12 Momoyama (1573–1615)
  5. Paper 4 of 10 NBTHK Tokubetsu Hozon Tōsōgu
  6. Extras 3 of 5 Adds: complete set by the same maker
  7. Price 4.3 of 10 Rank 5 of 8 by price among pieces of its type, from the most affordable to the dearest