‹ Koshirae

The piece

Openwork iron tsuba signed 江州彦根住兼義作 (Gōshū Hikone-jū Kaneyoshi saku), with warriors, horses and boats among waves beneath an old pine, in takabori with gold, silver and copper iroe.

Round iron tsuba by Kaneyoshi, a craftsman of the 彦根彫 (Hikone-bori) school, active in Hikone, Ōmi province. The signature, 江州彦根住兼義作 (Gōshū Hikone-jū Kaneyoshi saku), reads clearly in the photographs, chiselled in two columns on either side of the central opening. The original seller titles the piece 弓流 (yumi-nagashi), the Genpei war episode in which Minamoto no Yoshitsune retrieves the bow he dropped into the sea. On the front, an old pine in openwork fills the upper field; below it, armoured warriors, horses and boats among waves in takabori, with silver and copper faces and armour picked out in gold (iroe). The scene continues on the back with a copper-faced warrior, a boat and chiselled waves dotted with gold. The mist bands carry fine inlaid gold lines and the hitsu-ana are outlined in gold; one of them is closed with a shakudō plug. The photographs show iron with a dark, stable patina, no active rust, well-preserved gold and light wear on the high points. Dimensions according to the original seller: 73.5 × 70.7 mm, 4.9 mm thick at the seppa-dai, 104 g. The original seller declares an NBTHK Tokubetsu Hozon Tōsōgu paper, which is not photographed.

Strong points

  • Full, legible signature: 江州彦根住兼義作 (Gōshū Hikone-jū Kaneyoshi saku)
  • Narrative scene of warriors, horses and boats beneath a pine, in takabori and iroe
  • Silver and copper faces, armour picked out in gold
  • Iron with a dark, stable patina and well-preserved gold
  • NBTHK Tokubetsu Hozon paper declared by the original seller

Points to bear in mind

  • The NBTHK paper is not shown in the photographs; it rests on the original seller's declaration
  • One of the hitsu-ana is closed with a shakudō plug
  • Traces of sekigane at the edge of the central opening, as is usual
  • The identification of the episode comes from the original seller's title

Score

60.9 / 100

  1. Maker 19 of 25 Genuine signature of a known maker or school
  2. Workmanship 15 of 20 Notable work
  3. Condition 14 of 18 Good condition
  4. Period 7 of 12 Mid-Edo (1688–1781)
  5. Paper 4 of 10 NBTHK Tokubetsu Hozon Tōsōgu
  6. Extras 0 of 5 No complete set by the same maker and no inscribed box
  7. Price 1.9 of 10 Rank 268 of 330 by price among pieces of its type, from the most affordable to the dearest

The score shares out 100 points: Maker 25 · Workmanship 20 · Condition 18 · Period 12 · Paper 10 · Extras 5 · Price 10. It is computed from the record, not from an opinion. Maker, workmanship, condition and period are judged from the photographs and the paper; price is compared only with fittings of the same type.

Details

Type
Tsuba
Maker
Kaneyoshi
Period
Mid-Edo (1688–1781)
Material
Iron, Shakudō, Gold, Silver, Copper
Paper
NBTHK Tokubetsu Hozon Tōsōgu
Signature
Signed
School
彦根彫 (Hikone-bori)
Inscription
江州彦根住兼義作 (Gōshū Hikone-jū Kaneyoshi saku)
Technique
Sukashi (openwork), Takabori (high relief), Iroe (coloured inlay), Zōgan (inlay), Kebori (line engraving)
Dating
Mid-Edo period (18th century)

€5,820Shipping and taxes included

Write