NH-0719 Rank 179

Tsuba · Ko-Kinkō

Unsigned shakudō tsuba on a nanako ground, chrysanthemum-shaped, carved in relief with autumn grasses and dotted with gold; NBTHK Tokubetsu Hozon paper attributing it to Ko-Kinkō.

TsubaMomoyama (1573–1615)Momoyama period (late 16th century)NBTHK Tokubetsu Hozon Tōsōgu

Description

An unsigned tsuba attributed by its paper to the 古金工 (Ko-Kinkō) school, the early soft-metal tradition that preceded the great Edo-period workshops. It is chrysanthemum-shaped (kikka-gata) with a scalloped outline, worked in shakudō over a fine, even nanako ground. Both faces are covered with akikusa, the grasses and flowers of autumn: five-petalled blossoms, chrysanthemums, ears of grain, leaves and tendrils carved in relief, with the raised rim reserved from the plate itself. Tiny inlaid gold dots are scattered across the ground like drops of dew. The paper describes it as 赤銅魚子地 (shakudō nanako-ji), 鋤出彫 (sukidashi-bori) and 象嵌色絵 (zōgan iroe). The photographs show a deep, even black patina, crisp nanako and relief that keeps its detail; the seppa-dai is polished by use and the central opening has irregular edges with sekigane fillings, as is usual for an old tsuba mounted more than once. The NBTHK awarded it Tokubetsu Hozon Tōsōgu status on 14 July 2023 (no. 2009631). The original seller places it in the Momoyama period and supplies it in a paulownia box; by the seller's measurements it is 7.56 × 7.10 cm, 0.48 cm thick and weighs 112 g.

Strong points

  • NBTHK Tokubetsu Hozon Tōsōgu paper (2023) attributing it to Ko-Kinkō
  • Shakudō with a fine, even nanako ground on both faces
  • Dense akikusa decoration in sukidashi-bori relief with inlaid gold dots
  • Kikka-gata form with scalloped outline and reserved mimi

Points to bear in mind

  • Unsigned: the attribution is to a school, not to an individual maker
  • The central opening has irregular edges and sekigane fillings
  • The Momoyama dating comes from the original seller; the paper gives no period

Score breakdown

57.5/100

The score shares out 100 points: Maker 25 · Workmanship 20 · Condition 18 · Period 12 · Paper 10 · Extras 5 · Price 10. It is computed from the record, not from an opinion. Maker, workmanship, condition and period are judged from the photographs and the paper; price is compared only with fittings of the same type.

  1. Maker 9 of 25 Attributed to a school only
  2. Workmanship 15 of 20 Notable work
  3. Condition 14 of 18 Good condition
  4. Period 11 of 12 Momoyama (1573–1615)
  5. Paper 4 of 10 NBTHK Tokubetsu Hozon Tōsōgu
  6. Extras 0 of 5 No complete set by the same maker and no inscribed box
  7. Price 4.5 of 10 Rank 125 of 228 by price among pieces of its type, from the most affordable to the dearest