The point of a blade with a white, undulating temper line.

Photo: dealer in Japan

Notare with gunome · ayasugi-hada

Work and style

He forges mainly in the Sōshū tradition, that of Masamune and Sadamune, and also the ayasugi-hada that his family brings from the Gassan school.

On this page
  1. His style
  2. Dated works
  3. Gallery of works

His style

  • A hamon of notare with gunome (湾れ互の目, notare gunome), with abundant nie, sunagashi and kinsuji.
  • In the 1997 katana made with his father, the jihada is an ōitame with masame, with thick ji-nie and broad chikei.
  • A 2002 tantō in hira-zukuri has a ko-itame with utsuri, a midare hamon and a komaru bōshi; its tang has never been shortened.

Dated works

YearWorkSignature
1985Katanadated 昭和六拾年三月 (Shōwa rokujū-nen sangatsu)
1989Katana伊豆住貞人作之 (Izu-jū Sadahito saku kore)
1997Katana, with his father湧水心貞吉貞人合作 (Yūsuishin Sadayoshi Sadahito gassaku)
2002Tantō貞人作 (Sadahito saku)
2004Katana, with his father伊豆住貞吉貞人作 (Izu-jū Sadayoshi Sadahito saku)
2018Katana三嶋住貞人作 (Mishima-jū Sadahito saku)

The signatures of 1985, 1989 and 1997 can be read in the photos on this page; the others cannot be seen in them.