The base of a polished blade and its dark tang, horizontal, with two open holes and three plugged with silver.

Tokyo National Museum, via ColBase · ColBase terms of use

Suguha with ko-midare · slender tachi

Work and style

Little is known of his own style: the Tokyo National Museum record and the traits of his school.

On this page
  1. Kantei keys
  2. The Tokyo National Museum record
  3. What belongs to the school

Kantei keys

Sugata
The tachi in the Tokyo National Museum is shortened, but keeps a slender and elegant sugata. HD
Jihada
The sources do not describe it on a work of his; in the school, a dense itame with fine ji-nie and midare-utsuri. AT
Hamon
In the Tokyo tachi, a calm suguha with ko-midare. HD
Bōshi
Not described in the sources consulted PC
Nakago and mei
Two-character signature, 助宗 (Sukemune). The nakago of the Tokyo tachi is shortened, with two open holes and three plugged with silver. HD

The Tokyo National Museum record

“He was a smith of Fukuoka, in Bizen, in the early Kamakura period, and with Norimune he was chosen as one of Go-Toba’s rotating smiths. The blade is shortened, but it has a slender and elegant sugata, and the hamon is a calm suguha with ko-midare. It is one of his few signed works.”

What belongs to the school

According to the Japanese Wikipedia, the school forges tachi with funbari, high koshizori and ikubi-kissaki, a dense itame with fine ji-nie and midare-utsuri, and chōji tempers. These are traits of the school in general, not measured on his blades.

The base of a polished blade and its dark tang, horizontal, with two open holes and three plugged with silver.
The tachi mei Sukemune of the Tokyo National Museum: the base of the blade and the shortened nakago. Tokyo National Museum, via ColBase · ColBase terms of use · source