The same tantō from the other side, on a black background.

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Midare Mitsukane · Kuwayama Mitsukane

Famous works

Five designated tantō according to Sesko, of which the official database consulted confirms two; and two meibutsu of the Kyōhō meibutsuchō.

On this page
  1. His tantō, one by one
  2. The Midare Mitsukane
  3. The Kuwayama Mitsukane
  4. In the lists

His tantō, one by one

WorkDesignationWhere it isNote
Tantō 銘光包 (mei Mitsukane)Important Cultural Property (31 March 1953)Tokyo National Museum; 24.5 cmFrom the Echizen-Matsudaira
Tantō 銘光包 (mei Mitsukane)Important Cultural Property (14 November 1953)Fukuyama Museum of Art; 26.4 cmFrom the Date of Sendai, according to Sesko; in suguha
Midare Mitsukane (乱光包, Midare Mitsukane)Meibutsu; Sesko gives it as an Important Cultural Property, but it is not in the official database consultedNBTHK, Japanese Sword Museum, Tokyo; 29.2 cmFrom his Osafune phase
Kuwayama Mitsukane (桑山光包, Kuwayama Mitsukane)Tokubetsu Jūyō; meibutsuWhereabouts unknown in the sources consulted; 27.1 cmUnsigned

The Midare Mitsukane

According to Sesko: a hira-zukuri tantō with iori-mune, uchizori and sunnobi, 29.2 cm long, with a kasane of 0.7 cm and a motohaba of 2.5 cm. Dense ko-itame with chikei and plenty of ji-nie, somewhat nagare; a hamon of slanting gunome in ko-nie, with a wide nioiguchi, ashi and kinsuji; a midare bōshi that turns into notare-komi with a somewhat pointed, long ko-maru kaeri; katana-hi on both sides, and an ubu nakago with a large, fine two-character signature. Tanobe, cited by Sesko, notes a nie-utsuri.

The Kuwayama Mitsukane

It belonged to Kuwayama Iga-no-kami Motoharu (1563–1620), who according to the Kyōhō meibutsuchō obtained it from a man from Ōtsu and gave it to Tokugawa Iemitsu; Iemitsu gave it to Maeda Toshitsune, and it left the Maeda of Kaga after the war.

In the lists

  • Kyōhō meibutsuchō (享保名物帳, Kyōhō meibutsuchō). Two tantō of his are meibutsu: the Midare Mitsukane and the Kuwayama Mitsukane.
  • Designations. According to Sesko, five works of his are designated by the Agency for Cultural Affairs, all tantō and all Important Cultural Properties; seven tantō passed Jūyō and three of them reached Tokubetsu Jūyō.
  • Wazamono. Mitsukane does not appear in Yamada Asaemon’s ranking of sharpness (業物, wazamono), according to the list in the Japanese Wikipedia.