Detail of the temper of a blade: a chōji hamon in surging waves above the bōhi.

Photo: dealer in Japan

Bizen-den · chōji

Work and style

He began in the Sōshū-den and made a name for himself with the Bizen-den: a broad chōji, utsuri and carvings. Here, his style, a gallery of works and those the NBTHK has exhibited.

On this page
  1. What he is after
  2. Gallery of works
  3. Works exhibited by the NBTHK
  4. In museums

What he is after

He pursues the reproduction of the ancient swords of the Bizen-den, and the Japanese Wikipedia places him among those who began its boom among today’s swordsmiths; it singles out his utsuri, the hardest thing in the Bizen-den. His speciality is a broad chōji-midare, the “Yoshihara chōji”, and his carvings (彫物, horimono) are highly prized. For him, the sword has to cut well and be at once a sacred object and a work of art, not a weapon.

Works exhibited by the NBTHK

Those listed in the catalogues of the Japanese Sword Museum:

YearWorkSignatureNagasaLevel
1999 (exhibited in 2019, 名工大賞, Meikō Taishō)Wakizashi with horimono carved by him, polished by Takaiwa Setsuo; the saya is also his義人彫同作 (Yoshindo hori dōsaku)38.0 cmHD
2021Katana小鍛冶義人作之 (Kokaji Yoshindo kore o tsukuru)72.0 cmHD
2022Wakizashi小鍛冶義人作七十九 (Kokaji Yoshindo saku, nanajūku: at the age of 79)34.3 cmHD
2024Wakizashi小鍛冶義人作 (Kokaji Yoshindo saku), spring of Reiwa 5 (2023)44.9 cmHD
2026WakizashiKokaji Yoshindo saku40.3 cmHD

In museums

He has work in the Metropolitan Museum of Art in New York and in the Museum of Fine Arts in Boston, which offered to buy a sword from him after 1980, and a wakizashi in the Bargello National Museum in Florence, donated in 2005.