Bizen-den
備前伝 (Bizen-den)
The Bizen tradition: the largest sword production in Japan, from twelfth-century Ko-Bizen to the Osafune of the age of war.
Style and characteristics
A nioi temper with chōji in every form — small in Ko-Bizen, lavish in Ichimonji, orderly in Osafune — and, above all, utsuri: the whitish reflection in the steel that follows the hamon and is the mark of the province. The jigane is a fine, soft itame or mokume.
History
The first names, those of Ko-Bizen (Tomonari, Masatsune, Kanehira), date from the end of the Heian period. In the Kamakura period the Ichimonji schools flourished and then Osafune, which with Mitsutada, Nagamitsu, Kagemitsu and Kanemitsu fixed the style of the province. In the Muromachi period Osafune produced on a large scale for war (Sue-Bizen), until the Yoshii flood of 1590 swept the village away. In the shinshintō period several smiths revived the Bizen style, and in the twentieth century it is the tradition most followed by contemporary smiths.
Smiths of the school
- Amata Akitsugu 天田昭次
- Andō Hiroyasu 安藤広康
- Chōgi 長義
- Fujita Nagahiro 藤田永弘
- Fujiwara Motohisa 藤原元久
- Hatakeda Moriie 守家
- Hatakeda Sanemori 真守
- Hirata Sukehira 平田祐平
- Kaneda Kunizane 金田國真
- Kanehira 包平
- Kawashima Kazuki 川島一城
- Ko-Bizen Masatsune 正恒
- Ko-Bizen Nobufusa 信房
- Ko-Bizen Tsunetsugu 古備前恒次
- Kubo Yoshihiro 久保善博
- Matsuba Kunimasa 松葉國正
- Matsuda Tsuguyasu 松田次泰
- Mikami Sadanao 三上貞直
- Miyairi Norihiro 宮入法廣
- Miyamoto Kanenori 宮本包則
- Ōno Yoshimitsu 大野義光
- Osafune Kiyomitsu 長船清光
- Sukemitsu 祐光
- Sumitani Masamine 隅谷正峯
- Takahashi Sadatsugu 高橋貞次
- Takami Kuniichi 高見國一
- Tomonari 友成
- Ueda Sukesada 上田祐定
- Yamamoto Sukenaga 山本祐永
- Yokoyama Sukehisa 横山祐久
- Yokoyama Sukekane 横山祐包
- Yokoyama Sukenaga 横山祐永
- Yoshihara Yoshindo 吉原義人