Onimaru · Tenka Goken · Important Cultural Properties

Famous works

The Onimaru, in the imperial collection; two tachi that are Important Cultural Properties of certain attribution; and several blades signed “Kunitsuna” that are perhaps not his.

On this page
  1. The Onimaru
  2. His designated blades
  3. The “Kunitsuna” that are not his or may not be

The Onimaru

The tachi 鬼丸国綱 (Onimaru Kunitsuna) appears in the Kyōhō meibutsuchō (享保名物帳) of 1719 as “Meibutsu Onimaru”; it has been an imperial object (gyobutsu) since the Imperial House accepted it on 14 November 1871, and it is administered by the Imperial Household Agency, according to Japanese Wikipedia. The “Shoke Meikenshū” places it first among five outstanding swords of the realm.

It is one of the Tenka Goken, the five swords under heaven; all five appear in the Kyōhō meibutsuchō, and the term is documented at least from the late 17th century, according to English Wikipedia. Satō Kanzan, in a list of his own, replaces the Onimaru with the Ichigo Hitofuri.

Its traditional route goes from the Hōjō to Nitta Yoshisada, according to the Taiheiki, and from there to the Ashikaga, to Hideyoshi, to the Hon'ami house and to the Imperial House. Japanese Wikipedia warns that several stretches have no primary sources and are mixed with legend.

Being an imperial object, it has been exhibited very few times: in 1929, in 1947 at the Tokyo National Museum, in 1958, in 1986 in Tokyo and Kyoto, in 1997 in Tokyo and in 2002 at the “Masamune” exhibition, in Tokyo. No publishable photo of the blade, which belongs to the Imperial House, has been found; that is why it is shown here in an old drawing.

Old ink drawing of a tachi with its mounting and, below, its blade and its tang, with notes of measurements in Japanese.
The drawing of the Onimaru from the 『集古十種』 (Shūko Jisshu), of the late 18th century. 『集古十種』 (Shūko Jisshu), late 18th century; reproduction by AleksandrGertsen, CC BY-SA 3.0, via Wikimedia Commons · CC BY-SA 3.0 · source

His designated blades

WorkRankWhere it isDetails
Tachi 鬼丸国綱 (Onimaru Kunitsuna)Imperial collection (gyobutsu); Kyōhō meibutsuchō; one of the Tenka GokenImperial Household Agency78.2 cm, sori 3.2 cm
Tachi 太刀 銘国綱 (tachi mei Kunitsuna)Important Cultural Property (重要文化財, jūyō bunkazai), since 29 August 1950Tokugawa Art Museum (Tokugawa Bijutsukan), Nagoya65.0 cm, sori 2.0 cm; used by the shōgun Yoshimune and Ienari
Tachi 太刀 銘国綱 (tachi mei Kunitsuna)Important Cultural Property, since 29 August 1950Hie shrine (Hie Jinja), Tokyo69.4 cm, suriage, with horimono; there were doubts as to whether it was by another Kunitsuna, and today it is accepted as his, according to Sesko
Tachi signed KunitsunaImportant Cultural PropertyIinoya-gū, Hamamatsu79.8 cm; donated by Ii Naonori. The official record gives it as “Kunitsuna, Kamakura, province unknown”: it is not certain that it is his
Signed tachi, formerly of the Nishitakatsuji family (Dazaifu Tenmangū)Tokubetsu jūyō tōken (NBTHK)Not recorded85.8 cm, in a style close to the Onimaru
Signed tachi, slender and curvedTokubetsu jūyō tōken (NBTHK)Not recorded67.3 cm, with jifu-utsuri
Signed tachi, heirloom of the Date, who received it from Konoe MotohiroJūyō tōken (NBTHK)Not recorded68.6 cm; attributed to Awataguchi with caution
Ōdachi 太刀 銘鎌倉住藤六左近国綱 建長五年八月日 (tachi mei Kamakura-jū Tōroku Sakon Kunitsuna, Kenchō go-nen hachigatsu hi), of 1253Important Art Object (重要美術品, jūyō bijutsuhin), before the warWhereabouts unknown; lost since the occupation, according to the Uesugi tradition114.5 cm. Sesko warns that the signature cannot be judged and that that designation weighed the house of origin more than the quality

The “Kunitsuna” that are not his or may not be

The NBTHK exhibited a tachi signed Kunitsuna, an Important Art Object, of 70.2 cm and from a private collection, as a Ko-Bizen work: it is by another Kunitsuna, not by Awataguchi.

The Kitano Tenmangū shrine, in Kyoto, holds a tachi signed Kunitsuna, with the names 髭切 (Higekiri) and 鬼切 (Onikiri), which was piece no. 166 of the exhibition “Kyō no katana” (Kyoto National Museum, 2018) and which the exhibition list gives as an Important Cultural Property. The list does not say which Kunitsuna it is by.