A whole katana on a black background, with the tang on the left.

Tokyo National Museum, via ColBase · ColBase terms of use

Matsukura-gō · Masamune · the three greats

Life and times

Without a single signed or dated blade, even his century is in dispute; what there is, is tradition and the esteem of the following centuries.

On this page
  1. His times
  2. His name
  3. What tradition says
  4. The esteem of Edo

His times

  • The dates of his birth and death are not known (生没年不詳, seibotsunen fushō).
  • The Tokyo National Museum dates his blades to the Kamakura and the Nanbokuchō, in the 14th century. The Japanese Wikipedia places him in the Nanbokuchō; the Nihon Jinmei Daijiten and the Britannica, at the end of the Kamakura. Without a signed or dated work, there is no way to decide.

His name

  • He lived at Matsukura-gō, in the Niikawa district of Etchū, today Uozu, in Toyama. His nickname, Gō, is written 郷 (Gō) or 江 (Gō), and is explained by the 江川 (Gōgawa) river in the same district.
  • Ogasawara Nobuo believes that 郷 (gō) is too common a place name and that the original is 江 (Gō), after the Ōe clan.
  • The Britannica makes him a vassal of the Momoi, lords of Matsukura castle, fond of forging, who went to Kamakura to learn from Masamune.

What tradition says

  • That he died at twenty-seven.
  • That he was a pupil of Masamune or of Etchū Norishige, and one of the ten pupils of Masamune (Masamune jūtetsu). The old source that supports it is the Ōjakushō, of the mid-Muromachi, which records a sword signed 江 (Gō) and gives him as a pupil of Gorō Nyūdō, that is, of Masamune.

The esteem of Edo

  • With Masamune and Awataguchi Yoshimitsu he forms the three greats (tenka sansaku), an expression of the Edo period.
  • Nagasone Okisato, the first Kotetsu, took him as a model; Inoue Shinkai and Nanki Shigekuni also imitated him, and the NBTHK recalls that Shinkai held him to be the ideal smith.