Blade types

Japanese swords are classified first by blade length, then by the mounting they were worn in, and only last by the cross-section of the blade. Knowing which family a blade belongs to places its date and explains what it was made for. Here are the forms that turn up in catalogues, with their measurements in centimetres and in shaku.

Length decides: shaku, sun and nagasa

The working length is called nagasa (長さ) and is measured in a straight line from the tip (kissaki) to the notch in the back where the tang begins (mune-machi), not along the curve. Japanese sources give it in shaku, sun and bu.

UnitEqual toMetric
1 shaku (尺)10 sun30.30 cm
1 sun (寸)10 bu3.03 cm
1 bu (分)—3.03 mm

That measure sets out the three families everything else hangs from:

FamilyNagasaIn centimetresForms included
daitō (大刀)2 shaku or morefrom 60.6 cmtachi, katana, ōdachi
shōtō (小刀)1 to 2 shaku30.3 to 60.6 cmwakizashi, kodachi
tantō (短刀)under 1 shakubelow 30.3 cmtantō
Diagram with the silhouettes of a tantō, a wakizashi, a katana, a tachi and an ōdachi drawn to the same scale, with a centimetre ruler.
The five length families side by side at the same horizontal scale: note how much a wakizashi and a short katana overlap, and the gap up to an ōdachi. Diagram: Kantei

The forms at a glance

TypeKanjiNagasaHow it is worn
Tachi太刀2 shaku or moreslung from the obi edge down, on two hangers (ashi)
Kodachi小太刀40 to 60 cmmounted like a tachi, edge down
Katana (uchigatana)刀・打刀2 shaku or morethrust through the obi, edge up
Wakizashi脇差1 to 2 shakuin the obi, beside the long blade
Tantō短刀under 1 shakuin the obi, often with no guard
Ōdachi / nodachi大太刀・野太刀from about 3 shaku (90.9 cm)in the hand or on the back; normally drawn with help
Naginata薙刀blade 30 to 60 cmon a shaft of 1.2 to 2.4 m
Yari槍blade 15 to 60 cmon a shaft of 1 to 6 m
Ken (tsurugi)剣variesstraight and double edged; ritual use
Bar chart with the nagasa range of each blade type, from tantō to ōdachi, in centimetres.
The same data as the table, to scale: how each type measures up against the others. Diagram: Kantei

Tachi and katana: one length, two ways of wearing it

The difference lies not in the length but in the mounting and the gesture. The tachi (太刀) hangs from the belt edge down, held by two hangers (ashi), and dominates from the late Heian to the Nanbokuchō. It began as the mounted warrior’s back-up weapon; his main weapon was still the bow. It tends to have more curve, often concentrated near the tang (koshizori). The katana, heir to the uchigatana (打刀), is thrust through the obi edge up, so it can be drawn and used to cut in a single motion, and it prevails as the long blade in the Muromachi, when warfare shifts to masses of infantry. That story is told in «The samurai and their sword».

The signature reveals the smith’s intention, because it is cut on the face of the tang that faces outward when the sword is worn as intended: the haki-omote (佩表) on a tachi and the sashi-omote (差表) on a katana. Lay the two blades the same way, tip to the right and edge down, and the tachi’s signature is in view while the katana’s is on the other face; that is why Japanese museums display a tachi edge down and a katana edge up. A tachi signature on a blade now mounted as a katana shows it was born a tachi: many kotō blades reach us like this, shortened (suriage or ō-suriage) to serve as katana, and how that shortening is recognised is covered in «Shape (sugata)». There are exceptions: some schools signed on the opposite face.

Diagram: above, a tachi hung from the belt edge down and a katana thrust through the obi edge up, each signed on its outer face; below, both blades laid the same way, with the tachi signature in view and the katana signature on the other face.
Tachi and katana: each signature is on the face that looks outward when worn (haki-omote, sashi-omote). Laid the same way, the two signatures fall on opposite faces of the tang: tachi-mei and katana-mei. Diagram: Kantei

Wakizashi and tantō: the pair and the Edo limits

The wakizashi (脇差) measures between 1 and 2 shaku and is the short blade a samurai wore beside the long one. The Tokugawa bakufu set figures: the main blade (honzashi) was not to exceed 2 shaku 8 sun, about 84.8 cm, and the wakizashi 1 shaku 8 sun, about 54.5 cm. In 1668, the eighth year of Kanbun, the mutō-rei forbade non-samurai to carry blades longer than a ko-wakizashi, capped at 1 shaku 5 sun, about 45.5 cm. Between 1 shaku 8 sun and 2 shaku one speaks of ō-wakizashi. Enforcement of these limits was always loose.

The tantō (短刀) stays under 1 shaku; when it goes slightly over it is called sunnobi-tantō. Its most common cross-section is hira-zukuri, with no ridge.

A fully mounted wakizashi, with lacquered scabbard, wrapped hilt and guard, showing its curve from end to end.
A wakizashi with its full mounting (koshirae): the short blade that accompanied the katana, always curved, never straight. Credit: The Metropolitan Museum of Art · CC0 · via Wikimedia Commons
A tantō blade on a stand, with its ivory-hilted mounting beside it.
A tantō out of its mounting: hira-zukuri section, with no ridge, and a kissaki clearly set off by the yokote. Credit: SLIMHANNYA · CC BY-SA · via Wikimedia Commons

Ōdachi, kodachi and the straight blade

Ōdachi (大太刀) or nodachi (野太刀): blades from about 3 shaku, 90.9 cm, with examples reaching 7 shaku 5 sun, some 226.7 cm. There is no exact boundary and the two terms were never rigorously distinguished. They became popular in the Kamakura period and peaked in the fourteenth century with Nanbokuchō; since drawing them from the obi was impossible, they were carried in the hand or on the back, and an attendant normally helped to draw them. Spears and firearms left them without a job, and in the Edo period many were shortened into katana. One of the largest to survive, signed Norimitsu and dated 1446, is 377 cm overall — a 226.7 cm blade — and is kept at Kibitsu Shrine in Okayama; the longest on record is the Haja-no-Ontachi, 465 cm, presented in 1859 to Hanaoka Hachiman Shrine.

Kodachi (小太刀): a short tachi, 40 to 60 cm, from the early Kamakura period. It is mounted and worn like a tachi, edge down, and the position of the signature proves it: it is not a wakizashi, even at the same length.

Ken (剣, also read tsurugi): a straight, double-edged blade, the form that came before curvature, and which went on being forged afterwards for shrines and temples as a ritual object rather than a weapon.

An ōdachi on display, a long straight blade resting on a cloth, next to its museum label.
An ōdachi signed Masa(ie), Nanbokuchō period, held at the Yūshūkan (Yasukuni Shrine): too long for the obi, it was carried in the hand or on the back. Credit: SLIMHANNYA · CC BY-SA · via Wikimedia Commons
A kodachi blade with a marked curve, displayed out of its mounting, with the tang and two peg holes visible.
The kodachi 'Hachiya Nagamitsu', forged by Nagamitsu in the Kamakura period: a short tachi, worn with the same curve and in the same way as a long one. Credit: Artanisen, Tokyo National Museum · CC BY-SA · via Wikimedia Commons
A heavily corroded ken blade, straight and double edged, displayed upright.
A ken (tsurugi) from the Kofun period, 5th century: the straight, double-edged form that came before the Japanese sword's curve. Credit: Uploadalt, fotografiado en el Metropolitan Museum of Art · CC BY-SA · via Wikimedia Commons

Pole-mounted blades: naginata and yari

The naginata (薙刀) is a curved, broad blade of some 30 to 60 cm, mounted on a shaft of 1.2 to 2.4 m. It appears in the Heian period — clear references begin around 1146 — and was used by samurai, ashigaru, warrior monks (sōhei) and women of the warrior class, losing ground on the battlefield after the Ōnin War (1467-1477). In the Edo period many were cut down and remade as katana or wakizashi: these are naginata-naoshi, and the papers say so when the original outline is still recognisable. The same happened to the nagamaki, a long blade on a shorter, wrapped shaft: the remade ones are nagamaki-naoshi (長巻直し).

The yari (槍) is the straight-headed spear, 15 to 60 cm on shafts of 1 to 6 m. The term appears in 1334 and spread from the late fifteenth century; in the sixteenth, ashigaru pikes of 4.5 to 6.5 m were the bulk of armies. The main forms:

  • su-yari: straight and double edged, the common one.
  • sankaku-yari: triangular section, no cutting edge, only a point.
  • ryō-shinogi-yari: diamond section.
  • jūmonji-yari or kama-yari: with side blades, crossed or sickle shaped.
  • kikuchi-yari: single edged, like a tantō with a long tang.
  • fukuro-yari: fixed to the shaft by a metal socket instead of a tang.
A complete naginata, with its long shaft, the metal collar protecting the joint and the curved blade.
A mounted naginata: the curved blade is fixed to the shaft by a collar (sometsuba) that keeps it from splitting with use. Credit: Rama · CC BY-SA · via Wikimedia Commons
A straight, double-edged yari head, with its horn sheath beside it and part of the shaft wrapped in cord.
A su-yari: a straight, double-edged head on a short haft, with its sheath (saya) to protect it off the long fighting shaft. Credit: The Metropolitan Museum of Art · CC0 · via Wikimedia Commons

The cross-section: the zukuri

The cross-section, the tsukurikomi or zukuri, places the period and sometimes the school. It should not be confused with the outline or the length.

FormKanjiFeatureWhere it is found
shinogi-zukuri鎬造ridge (shinogi) and yokote; the standard formalmost every long blade
hira-zukuri平造no ridge, no yokote, flat sectiontantō and ko-wakizashi since Heian; very rare on long blades
shōbu-zukuri菖蒲造no yokote, the shinogi-ji dropping toward the back like an iris leafMuromachi tantō and wakizashi
kanmuri-otoshi-zukuri冠落造back shaved down toward the tipYamato, early Kamakura; revived in shintō
unokubi-zukuri鵜首造the same, but thinned only along the middle stretchtantō and wakizashi
kiriha-zukuri切刃造ridge set very close to the edgeancient blades and Bakumatsu and Meiji homages
katakiriha-zukuri片切刃造one side flat, the other kirihalate Kamakura; fashionable again in Edo
kissaki-moroha-zukuri鋒両刃造tip sharpened on both sidesNara to mid-Heian; also kogarasu-zukuri (小烏造), after the Kogarasumaru
moroha-zukuri諸刃造the whole blade double edged, slightly curvedmid-Muromachi tantō
osoraku-zukuri恐らく造an outsized kissakitantō and ko-wakizashi; Shimada Sukemune, revived by Kiyomaro
ryō-shinogi / hira-sankaku両鎬・平三角diamond and triangular sectionsyari blades

The kissaki-moroha-zukuri (鋒両刃造; also written 鋒諸刃造) has its last stretch sharpened and hardened on both sides. There are examples among the straight swords of the Shōsōin, from the 8th century, and its best-known work is the Kogarasumaru (小烏丸), a blade from between the late Nara and the mid-Heian that tradition attributes to Amakuni: kept by the Ise family and then by the Sō of Tsushima, it was given to the Meiji Emperor in 1882 and now belongs to the Imperial House. It marks the passage from the straight thrusting blade to the curved cutting one, and after that it becomes rare; it should not be confused with the kanmuri-otoshi-zukuri, which thins the back of the point without sharpening it. In the Bakumatsu and Meiji, copies of the Kogarasumaru were made out of nostalgia, not for use. How to read all these forms is covered in «Shape (sugata)».

There are examples of this form among the straight swords of the Shōsōin; according to workshop observation, the double edge covers about 10 cm of the point in them. Workshops also explain why a long blade with both edges hardened and symmetrical hardly occurs in Japan: differential hardening is what curves the blade, and with two hardened edges the stress would have nowhere to go. And according to the same tradition, from the 12th century the form becomes rare in warriors’ hands, survives as a court ceremonial sword and gives rise to the kanmuri-otoshi-zukuri, which keeps the lowered point but no longer the second edge.

How the weight, balance and stiffness of a blade change with its width, thickness and curve, geometry by geometry, is covered in «Geometries». There you will also find what changes at the edge of each of these cross-sections when it goes into the target.

Diagram with six zukuri: above, the cross-section of shinogi-zukuri, hira-zukuri and kiriha-zukuri; below, the tip profile of shōbu-zukuri, unokubi-zukuri and kanmuri-otoshi-zukuri.
Six of the zukuri from the table: the first three are told apart by where the ridge falls in the section; the last three, by how the back behaves near the point. Diagram: Kantei