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Glossary
- Anideshi 兄弟子
Senior pupil of the same school.
- Ashi 足
Lines of nie or nioi that run down from the hamon towards the edge.
- Bōhi 棒樋
Straight groove along the blade. Kaki-nagashi (掻き流し): it ends inside the nakago.
- Bōshi 帽子
Temper line in the kissaki.
- Chikei 地景
Dark, shining lines of nie within the steel of the body.
- Chōji 丁子
Hamon shaped like clove buds. Jūka-chōji (重花丁子): with buds crowded one on top of another. Gunome-chōji (互の目丁子): chōji mixed with gunome, that of the Chōgi school.
- Gunome 互の目
Hamon of repeating semicircles.
- Hamaguri-ba 蛤刃
Convex edge, like a clam: more niku, more endurance.
- Hamon 刃文
The pattern of the hardened edge.
- Hitatsura 皆焼
Temper that covers almost the whole blade, with hardened patches across the body.
- Hizukuri 火造り
Shaping the blade with the hammer, while hot.
- Honsanmai 本三枚
Three-piece construction: core, edge and back.
- Iaidō 居合道
The art of drawing and cutting in a single movement.
- Ichimon 一門
A master’s school: he and his pupils.
- Itame 板目
Steel pattern like the grain of a plank.
- Jigane 地鉄
The steel of the body of the blade and its pattern.
- Kasane 重ね
The thickness of the blade.
- Kissaki 切先
The point.
- Kōbuse 甲伏せ
Construction with a soft core wrapped in hard steel.
- Kogarasu-maru 小烏丸
Ancient sword double-edged along half of the point (kissaki-moroha-zukuri), and its copies.
- Koshirae 拵
The complete mounting: tsuka, tsuba and saya.
- Mokume 杢目
Steel pattern like the grain around a knot in wood.
- Mukansa 無鑑査
“Exempt from judging”: the swordsmith whom the NBTHK admits to its exhibition without going before the jury.
- Nagasa 長さ
The length of the blade, from the mune-machi to the point.
- Nakago 茎
The tang, which goes inside the tsuka.
- Ōdachi 大太刀
A very long tachi, of more than three shaku.
- Omamori-gatana 御守刀
Amulet tantō; it gives its name to a competition of the Zen Nihon Tōshōkai.
- Oshigata 押形
Full-size drawing of a blade and its hamon.
- Sanchōmō 山鳥毛
Fukuoka Ichimonji tachi, a National Treasure, kept by the city of Setouchi.
- Shinken 真剣
A real sword, with an edge, for cutting.
- Shitaji-togi 下地研ぎ
The first stages of polishing, those that give the shape.
- Shōbu-zukuri 菖蒲造
Blade without a yokote, shaped like an iris leaf.
- Sōden-Bizen 相伝備前
Bizen-den with features of the Sagami (Sōshū) school: that of Chōgi and of Osafune Kanemitsu, of the 14th century.
- Sori 反り
The curvature of the blade.
- Tamahagane 玉鋼
The steel of the tatara, the traditional furnace.
- Tameshigiri 試し斬り
Test cutting on tatami or bamboo.
- Tatara たたら
Traditional furnace for smelting steel.
- Tobiyaki 飛焼
Scattered hardened patches above the hamon.
- Tokushō 特賞
NBTHK special prize, above the Yūshūshō.
- Tsuchioki 土置き
Laying the clay on the blade before hardening: it decides the hamon.
- Utsuri 映り
Light reflection in the steel, above the hamon, typical of early Bizen.
- Utsushi 写し
A work made in the manner of an old sword.
- Yaki-ire 焼き入れ
The hardening.
- Zantetsuken 斬鉄剣
“The sword that cuts iron”: the nickname of Kobayashi Yasuhiro’s blades.